The Business of Fashion

Everybody is talking about | Fashion phones

Something is in the air. Earlier this week, we received a mysterious package in the post from Nokia. Inside, we found a 7900 Crystal Prism phone, complete with a Sapphire crystal and engraved design by French graphic designer Frederique Daubal, who has previously collaborated with Paul Smith and Colette, the iconic Paris fashion concept boutique.

Not only this, the fashion and technology blogosphere has been abuzz about Tag Heuer's branded mobile phone, priced to compete with the Vertu phones, at 3900 euros (or about $6000). Previously, other fashion brands including Prada, Armani, and Levis have launched mobile phones with much hype and fanfare.

To top it all off, I was recently invited to give a Keynote Speech at the ArcChart Handset Fashion and Style Congress in London later this month on, what else, The Business of Fashion.

So, is all this fashion phone buzz just PR hype, or is it something that fashion brands and mobile phone players should be seriously thinking about?

Industry chatter | Prada's IPO

At a time when all fashion advertisements are beginning to look the same, you can always count on Miuccia Prada to keep things interesting. Her new campaign for Spring/Summer 08 reflects the sweet optimism of her collection shown last September in Milan. It could have come right out of A Midsummer Night's Dream with all its nymphs and fairies.

Remarking on Prada's dramatic move away from tougher designs in seasons past, Sarah Mower said "when Miuccia is fed up with being perverse in the anarchic-fierce way, she'll change tack yet again and go against the grain by being so sweetly unchallenging you (almost) can't recognize her." 

But are things as rosy for Prada on the IPO front?

Rodeo and Robertson: Build it, and they will come

After having checked out some of the more up-and-coming areas of L.A, it was time to visit the king and queen of luxury and fashion here: Rodeo Drive and Robertson Boulevard.

The most remarkable thing about both these streets is that the stores really are an extension of the brands themselves. In Paris, London and even New York, most brands are constrained by existing building facades and building codes which they must work around as they design their stores. In Los Angeles, it appears that the brands have complete freedom in design, and therefore, if done well, every aspect from the sparkling exteriors, the natural lighting, the size of logos outside the building, and even the dramatic entrances off the street are messages about the brand. It was truly impressive.