The Business of Fashion

Breaking News | 6267 is no more

It is sad when fashion lives up to its cliched stereotype as a world without loyalty and common sense. News is breaking that Tomasso Aquilano and Roberto Rimondi, the celebrated duo behind the upstart Italian label 6267, have ditched their manufacturing partner, Castor srl, to start up a new label, rumoured to be backed by ITC, a division of IT Holdings.

Earlier this year, the pair reached new heights in their fashion ascendancy when they were named Creative Directors of Gianfranco Ferre, which is also owned by IT Holdings. Shortly before the announcement, Castor and 6267 were featured in a highly complimentary article by Cathy Horyn of the New York Times, which touted the value and closeness of the unique designer-manufacturer collaboration as a key factor for thier success.

Given the closeness of the partnership, and its early success, the designers' decision is puzzling and could prove to be one that they regret in the long run.

The Business of Fashion | Talks to Vogue Korea

It's turning out to be fashion magazine week on the Business of Fashion.

A couple of months ago, Dominic Sohn, a newly appointed Fashion Editor at Vogue Korea, contacted me to get some thoughts on the revolving doors for designers at major fashion houses. This was before Lars Nilsson was turfed from Gianfranco Ferre (just days before his first runway show) only to be replaced by Tomasso Aquilano and Roberto Rimondi of 6267 and before Paulo Melim Andersson was sent packing after three seasons at Chloe, making way for Hannah MacGibbon. Dominic's questions were timely indeed.

Excerpts from the interview have just been published in an article in the May 2008 edition of Vogue Korea, along with the reflections of Sally Singer of American Vogue. It was such an interesting exchange that it's posted here for BoF readers.

Milan Fashion Week | Commerce and creativity

While London is often the spark of new ideas and New York is confidently commercial, the Milan shows usually sit somewhere in between. They may not be the pushing the limits of fashion in terms of new ideas, but they specialise in striking the right balance between commerce and creativity.

Many buyers and editors complained of an uncharacteristically inconsistent offering from Milan's usually focused designers last week. But we think there was a lot to be impressed by in Milan, especially from the some of the heavyweight brands who show there.

Take Burberry, for example. Christopher Bailey is on a clear winning streak, softening his approach this season with the perfect autumnal mood for the urban birds who walked down his catwalk of  "optimistic melancholy." (The urban birds term was cleverly coined by Tim Blanks; Bailey loved it. We think its perfect).

Paris Fashion Week: 6267 - That dress!

Ever since Roberto Rimondi and Tommaso Aquilano of 6267 sent their S/S 2008 collection down the runway in Milan last week, everyone has been talking about that dress.

In her glowing review, Suzy Menkes said the big surprise of the show came "when the models turned to show a wide dress morph into a sinuous shape at the back. It sounds tricky, but the idea worked, offering one of the most intriguing contrasts of the season." Of the show's standout piece, Nicole Phelps of Style.com said that "Rimondi and Aquilano have an untapped avant-garde streak: Coming, the dress looked like a sculptural, full-blown trapeze; going, it revealed itself to be a body-skimming, provocative sheath." (Note: Unfortunately, no photo of that dress, but another one with similarly constrasting construction is pictured to the left)

Lucky for me, though I missed the show in Milan, I was invited to tea at Place du Marché St Honoré in Paris yesterday evening to take a closer look at the collection. I dragged Jason Campbell of the JC Report along with me -- and we were not disappointed and not alone.